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Amaryllis Arna Rennan Barra Bells of the North Morris Dancers Ben Fairbanks Bill Hinkley and Judy Larson Blackbirds Blanche Krbechek Bob Bovee and Gail Heil Bounxou Chanthraphone Bruce Bradley Band CAAM Chinese Dance Theater Carla Vogel Clairseach Creative Theatre Unlimited Dance Revels Moving History Danielle Daniel and Co. Debra Korluka Delores G. Matthews Det Norske Folkedanslaget Diane Jarvi Dolina Polish Folk Dancers Domácí Czech Folk Dancers Drei Groschen Klezmorim Elise M. Schebler Roberts Elizabeth (Becky) Weis Emeline Dziabas Cook Ervey P. Shelley Ethnic Dance Theatre Folk Orchestra, The Finn Hall/Minnesota Pelimannit Flanagan Irish Dancers Flickorna Fem Freshwater Pearls Puppetry Gao Hong Gladys J. Shelley Greenwood Tree Harlen Schmitgen HjerteDans Jim Busta Band John Filipczak and the Classics Joy Parker Karen Jenson Karen Mueller Karen Torkelson Solgård Kip Peltoniemi Konstantinos Papadakis Laura MacKenzie Leo and Kathy Lara Les Harkonen Group Les Schuft and Country Dutchmen Band Linda Breitag Linda Wade Koslowski Lipa Slovak Folk Dancers Mag McDermott Marcie McIntire Mariachi Flor Y Canto Mariachi Serenata Mary Klockeman Mary Reed Matt Vorderbruggen Band Melinda Brobeck Minnesota Chinese Dance Theater Minnesota Scandinavian Ensemble, The Minnesota Scottish Celtic Dance Association Monroe Crossing Montgomery Czech Singers Mooncoin Céilí Dancers Music-On-A-String Nancy Ellison Nordic Angst Norse Folk North Country Fiddle and Dance Paddy O'Brien Paul Wilson and Mary Abendroth Peter and Paul Wendinger Band Piper's Crow Que Huong Rachel Nelson Robayat Robert Hoover Rosemary Lang Roehl Ross Sutter Royal Scottish Country Dance Society Salamat Shakun Maheshwari Sister Cecilia Schmitt Skålmusik Tibetan American Foundation of Minnesota Valeriy Saakian Voices of Sepharad Walter Grittner Wee Willie Band - Bill Makovsky Wild Goose Chase Cloggers, The Zhang Ying |
Additional Information: Les' mother was a teacher who arranged for Les, at age 6, to take piano lessons. She and Les lived in an apartment above the school in which she taught, and Les would go downstairs to practice on the school piano. However, when Les would play, his mother would never hear the lessons Les was taught. Instead, she heard the songs Les learned by ear. Finally she determined that there wasn't any need for piano lessons because Les could play without them. Between the ages of 8 and 12, Les was fortunate to live nearby a violin maker, and their relationship maintained Les' interest in music. The teacher taught Les banjo chords, and sometimes Les would accompany the man's violin music on the banjo or piano. However, the Iron Range knows Les best as a piano accordion player. At the age of 12, Les heard Frankie Yankovic, the Cleveland Slovenian style polka musician who became synonymous with the polka, nationally. From that moment, Les was inspired to play the piano accordion. Because of his early piano training, the right hand accordion fingering came easily to Les, and he remembers that "Home Sweet Home" was his first number. The left hand, which plays chordal accompaniment on the accordion, was a tougher study, and Les credits a local player from Angora, Walter Alt, with helping him learn left hand patterns. Les began his musical career playing talent shows, school programs, wedding parties and wedding dances. When he reached adulthood, Les took full time jobs in sales, and later did county roadwork, employment that afforded a pension. All the while, he performed. After World War II, in many locations on the Iron Range, Finns constituted the majority European group. For a musician, there was much work to be had in the Finn Halls, community structures built by prior generations of Iron Range Finns. In these structures, Les played a wide variety of musical and social dance occasions. However, the Iron Range neither was nor is a Finnish monoculture. Among the European American groups living on the Iron Range are the Norwegians and Swedes, Irish, Slovenians, Croatians Germans, Czech, French, Jews and Italians, among others. Les found that in local playing situations, in order to satisfy audiences, it was good to feature music representing a broad swath of nationalities, as well as pop and Country songs. It is fair to characterize the Les Harkonen Band as a contemporary old-time Finnish group reflecting the multi-ethnic character of the Iron Range. For a number of years in the 70's when his sons were growing up, Les did little playing. However, by the late 1970's he began to play again, first as a member of the Polka Chimes (Biwabik). Later, he reestablished his own band. Today, there is not as much as there used to be in the Finn halls, but there are additional opportunities at festivals and other civic occasions, and, as a generation ago, for wedding parties and social dances. | |||